Inheritance and Reconstruction: A Review on the Innovative Application of Traditional Chinese Patterns in Modern Women’s Wear Design
DOI:
https://doi.org/10.67453/fihss.2026.00012Keywords:
traditional Chinese patterns, modern women’s wear, garment design, innovative application, cultural inheritance, creative transformationAbstract
As the core visual carrier of traditional Chinese material culture, traditional patterns embody national aesthetic paradigms, cultural connotations and craft wisdom, possessing high theoretical and practical value for the localization,characteristic developmentandbrandupgradingofmodernwomen’sweardesign.Tosystematically clarify theinnovativelogic,currentstatusandpracticalbottlenecksoftraditionalpatternsappliedinmodernwomen’swear,this paper adopts the literature review method, comparative analysis and inductive deduction to construct a research framework covering cultural connotations, artistic characteristics, practical application status, innovative mechanism, differentiated application, practical dilemmas and optimized development paths. By sorting existing academic findings andindustrialcases,thisstudysystematicallydeconstructsthemoderntransformationmechanismoftraditionalpatterns fromthedimensionsofshape,color,composition,culturalimplicationandcraft integration.Meanwhile,itcomparesthe application differences of diverse innovative methods and multi-scenario women’s wear styles, and summarizes prominent industrial problems including superficial cultural expression, serious homogenization, rigid integration and insufficient temporal adaptability. The research confirms that the modern innovation of traditional patterns is not a simple superposition of visual elements, but a systematic reconstruction based on cultural core, visual language and contemporaryaesthetics. Theconcludedinnovativepathscanprovidetheoretical